Set up as a faux documentary about what happens behind the closed doors of a house of ill repute, a dark haired madam kinda-sorta guides us through four precariously linked scenes. First up is a BDSM session in which a woman with crazy Rocky Horror Picture Show style makeup on binds and beats a man with a big moustache and goofy underwear. Once that’s over and done with, they get it on. There’s some knife play here and some rope play as well.
In the next room are two men and two women enjoying a giant bucket of KFC – you know where this is going, right? They proceed to get it on and use the Colonel’s finest in ways you’d expect, given what sort of movie this is, but not necessarily in ways you want to see. They rub chicken all over each other, eating as they screw, and hot dogs come into play – obviously – in a fairly wacky double penetration scene (who knew you could bend a hot dog like that without breaking it?).
The third room contains a foxy looking white girl, a white guy and a black guy. Time for the requisite three way, this time with some interracial mixed in for kink appeal. There’s some foot fetish play here but it plays out more or less like any typical three way, ending with the expected double penetration sequence. It’s well shot and this lithe lady performs well, gotta give her credit for that.
Last but not least, the last room contains two lovely ladies dressed up in Victorian era garb enjoying tea time together. They flirt a bit and then take charge when the butler shows up. He gets some oral and then bones one and then the other. For some reason the butler has black face paint on. He finishes and by the end of the scene half of his face paint has rubbed off all over the girls. FIN!
In the next room are two men and two women enjoying a giant bucket of KFC – you know where this is going, right? They proceed to get it on and use the Colonel’s finest in ways you’d expect, given what sort of movie this is, but not necessarily in ways you want to see. They rub chicken all over each other, eating as they screw, and hot dogs come into play – obviously – in a fairly wacky double penetration scene (who knew you could bend a hot dog like that without breaking it?).
The third room contains a foxy looking white girl, a white guy and a black guy. Time for the requisite three way, this time with some interracial mixed in for kink appeal. There’s some foot fetish play here but it plays out more or less like any typical three way, ending with the expected double penetration sequence. It’s well shot and this lithe lady performs well, gotta give her credit for that.
Last but not least, the last room contains two lovely ladies dressed up in Victorian era garb enjoying tea time together. They flirt a bit and then take charge when the butler shows up. He gets some oral and then bones one and then the other. For some reason the butler has black face paint on. He finishes and by the end of the scene half of his face paint has rubbed off all over the girls. FIN!
Here's another rough and tumble hour long session of physical and verbal abuse! In this sickie, the lovely C.J. Laing, playing a woman named Ellie Deveraux, becomes initiated into a bizarre and sadistic sex cult. When a card arrives in her mailbox with a skull and crossbones on it, she knows that the cult has chosen her to be their human sacrifice. When she finds this out, she plays with herself a little bit and thinks back on how she got involved in this mess in the first place. Once the cult comes for her, they decide to come in her and on her as well and she's tied up and eventually an electric dildo is used on her.
This one is rough, with its abundance of chains and restraining devices and a whole lot of whipping and slapping by strange man, naked except for the black masks covering their faces and concealing their identities. The final scene, the inevitable orgy that the entire film is building towards, is decadent and primal in its feel and its tone. The cult members fuck like animals and C. J.'s character knows what's coming up next for her, and she also knows that there's nothing that she can do about it. This one is pretty dark and is about as depressing as any porno I've seen. Look for Sharon Mitchell in this one and director Shaun Costello as well, she's got a small uncredited role in one of the sex scenes.
It’s effective in its grimy atmosphere, the low budget and cheap film stock used adding to this in a big way. The movie is actually pretty creative in how it was shot, some very bizarre camera angles making their way into the production most notably during the finale when Laing is forced to sit on the electric chair with a dildo strapped to it. We see this happen from beneath, very atypical. This one isn’t strong on plot but Laing is excellent in the lead, a true glutton for punishment and a completely sympathetic character.
This one is rough, with its abundance of chains and restraining devices and a whole lot of whipping and slapping by strange man, naked except for the black masks covering their faces and concealing their identities. The final scene, the inevitable orgy that the entire film is building towards, is decadent and primal in its feel and its tone. The cult members fuck like animals and C. J.'s character knows what's coming up next for her, and she also knows that there's nothing that she can do about it. This one is pretty dark and is about as depressing as any porno I've seen. Look for Sharon Mitchell in this one and director Shaun Costello as well, she's got a small uncredited role in one of the sex scenes.
It’s effective in its grimy atmosphere, the low budget and cheap film stock used adding to this in a big way. The movie is actually pretty creative in how it was shot, some very bizarre camera angles making their way into the production most notably during the finale when Laing is forced to sit on the electric chair with a dildo strapped to it. We see this happen from beneath, very atypical. This one isn’t strong on plot but Laing is excellent in the lead, a true glutton for punishment and a completely sympathetic character.
